3.1 The present copula — "am / is / are"
3 · The Copula — "am / is / are" (and "was / were") · a plain-language guide to Assyrian (Sureth) grammar
| person | form | meaning |
|---|---|---|
| 1ms (I, male speaker) | iven | I am |
| 1fs (I, female speaker) | ivan | I am |
| 2ms (you, to a man) | ivet | you are |
| 2fs (you, to a woman) | ivat | you are |
| 2pl (you all / polite) | itun | you are |
| 3ms (he) | ile | he is |
| 3fs (she) | ila | she is |
| 3pl (they) | ina | they are |
| 1pl (we) | ivakh | we are |
Two things to notice:
- The speaker's own gender shows up. "I am" is iven if a man says it, ivan if a woman says it. Same for "you are" — ivet to a man, ivat to a woman. Assyrian marks gender more often than English does.
- Most forms have a -v- (iven, ivan, ivet, ivat, ivakh). The exceptions are the 3rd person (ile, ila, ina) and 2pl (itun). Spotting that -v- helps you hear the pattern.
Word order: the copula comes after the predicate
("Predicate" just means the thing you're saying about the subject — "here," "happy," "a teacher.") Unlike English "she is here," Assyrian says the equivalent of "here she-is." The copula follows the word it's describing:
| Assyrian | literally | English |
|---|---|---|
| ullul ile | upstairs he-is | He is upstairs |
| eltekh ila | downstairs she-is | She is downstairs |
| lakhkha ina | here they-are | They are here |
It usually glues onto the previous word
In real speech the copula rarely stands alone — it attaches to the end of the word before it, and the two blend together. With lakhkha ("here") you get a smooth single word:
| Assyrian | English |
|---|---|
| lakhkhele | he is here |
| lakhkhela | she is here |
| lakhkhena | they are here |
| lakhkhevet / lakhkhevat | you (m. / f.) are here |
| lakhkhetun | you (pl.) are here |
| lakhkheven / lakhkhevan | I (m. / f.) am here |
| lakhkhevakh | we are here |
And then the -v- itself drops. After a word ending in a vowel the fused forms contract a second time, and this is what you will actually hear:
| full | contracted | |
|---|---|---|
| lakhkhevet / lakhkhevat | lakhkhet | you (m. or f.) are here |
| lakhkheven / lakhkhevan | lakhkhen | I (m. or f.) am here |
| lakhkhevakh | lakhkhekh | we are here |
Notice what the contraction costs: the gender split disappears. lakhkhen is "I am here" whoever says it. So when you hear a bare -t or -n on the end of a word, that is the copula, contracted — you can't read the speaker's gender off it, and you don't have to produce it either.
You don't need to master every blend rule now — just know that ile/ila/ina… will often fuse onto the preceding word and lose their crisp edges. Recognize it by ear.
Real sentences
| Assyrian | English |
|---|---|
| aten rakhmanet, at khubbanet | You are merciful, you are loving |
| aten o-nashet | You (m.) are that person |
| ana khditen | I (f.) am happy |
| ana iven Akhikar | I am Axiqar |
(Notice in "ana khditen" and "aten … -et" the copula has already fused onto the describing word — *khdita "happy" + ivan → khditen. Khan records that one as a woman speaking; a man saying it produces the same khditen, because the contraction has already eaten the gender.)*
Go deeper
More of the present copula, from Khan's texts. The code beside each is his: A is a folktale and B an account of village life, then the text and the paragraph. Chapter 9B explains it.
| Assyrian | English | from |
|---|---|---|
| Akhikar khayele | Akhikar is alive | A 3:49 |
| yakurtela | it (the waterskin) is heavy | A 37:15 |
| bas-aha mendi tazele | but this thing is new | A 3:76 |
| karibayevakh | we are foreigners | A 2:6 |
| akhnan shavva akhunvatevakh | we are seven brothers | A 37:10 |
A question is the same sentence, said with a rise. No word changes:
| Assyrian | English | from |
|---|---|---|
| duzila? | is that right? | A 3:76 |
| hala khayevet? | are you still alive? | A 39:13 |
"Have been" is the present copula. Where English says "have been … since", Assyrian uses the plain present:
| Assyrian | English | from |
|---|---|---|
| men-kedamta lakhkhevet | you have been here since the morning | A 4:6 |
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